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Jasper Johns — The Critic Smiles, from Lead Reliefs
Jasper Johns

The Critic Smiles, from Lead Reliefs

Created in 1969, this lead relief by Jasper Johns presents a toothbrush with its bristles replaced by a row of teeth, a wry and subversive object that transforms an everyday item into a biting commentary on criticism and consumer culture. The work exemplifies Johns' signature use of familiar imagery rendered in unexpected materials, here employing lead, tin foil, and gold to lend weight and permanence to an otherwise mundane form. Housed in its original aluminum frame, the piece balances industrial austerity with subtle richness, inviting viewers to question the nature of judgment and the role of the critic in the art world.

Medium
Lead relief with tin foil and gold, with polystyrene and wood backing, in the original issued aluminum frame.

🔨 Auction Lot

Editions & Works on Paper

April 24, 2018

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About this work

Jasper Johns, The Critic Smiles, from Lead Reliefs

Created in 1969, this lead relief by Jasper Johns presents a toothbrush with its bristles replaced by a row of teeth, a wry and subversive object that transforms an everyday item into a biting commentary on criticism and consumer culture. The work exemplifies Johns' signature use of familiar imagery rendered in unexpected materials, here employing lead, tin foil, and gold to lend weight and permanence to an otherwise mundane form. Housed in its original aluminum frame, the piece balances industrial austerity with subtle richness, inviting viewers to question the nature of judgment and the role of the critic in the art world.

Medium
Lead relief with tin foil and gold, with polystyrene and wood backing, in the original issued aluminum frame.
Seen at
Phillips, New York, London, Hong Kong

Related themes

20th Century, Twentieth Century, Neo-Dada, Satirical Subject, Renowned Artist, Male Artist, Established Master, Mixed Media, Conceptual Art, American Artist, Pop Art, Everyday Objects, Metallic Tones, Neutral Tones, Lead Relief, Satirical

More works by Jasper Johns

Collected by

Sebastián In Situ, Hamilton Selway Gallery, Melissa Avery, Alex Capecelatro, Art Institute of Chicago