Three Shadows - Part II, Bauhaus is a work by German artist Gregor Hildebrandt, whose practice is deeply rooted in his fascination with analog recording materials such as cassette tapes and vinyl records as carriers of memory and emotion. The piece likely reflects Hildebrandt's characteristic approach of weaving these materials into visually striking compositions that evoke themes of sound, time, and cultural nostalgia. The reference to Bauhaus suggests an engagement with the legacy of the iconic German art school, bridging modernist aesthetics with the artist's signature exploration of music and ephemeral media.