Kollwitz mastered drypoint printmaking with similarly expressive and emotionally charged line work, often depicting dramatic figurative scenes with a monochromatic intensity that mirrors Pascin's approach in this biblical narrative piece.

Beckmann's early 20th century prints share the same modernist reinterpretation of historical and dramatic figurative subjects, using bold expressive line drawing techniques that parallel Pascin's treatment of the Judgment of Solomon.

Barlach created monochromatic figurative prints and drawings in the early 20th century that combined biblical and narrative themes with deeply expressive line quality, closely echoing the dramatic storytelling and printmaking sensibility found in this Pascin drypoint.