Douglas Gordon's *Self-Portrait of You and Me (Mia Farrow Diptych)* presents two partially burned photographic prints of the actress mounted over mirrored glass, creating a haunting interplay between destruction and reflection. The scorched edges of Farrow's image dissolve her iconic visage into abstraction, while the mirrored surface draws the viewer's own face into the composition, implicating them in the act of looking. Gordon's work meditates on fame, identity, and the fragile boundary between the observer and the observed.