Borremans paints enigmatic faceless or ambiguous figures in formal historical dress against stark geometric backgrounds, creating the same atmosphere of haunting anonymity and psychological tension found in this piece. His layered paint handling and use of figure against flat color planes mirrors Legrand's cerulean panel anchoring a ghostly silhouetted form.

Suciu creates obscured and partially erased figurative works where human identity is deliberately withheld through gestural mark making, chalk like textures, and acrylic washes over formally dressed silhouettes. His recurring motifs of coated and uniformed figures stripped of facial identity align closely with Legrand's military coat wearing faceless form.

Micallef layers gestural drawing with bold acrylic color fields to produce contemporary figurative works where organic abstract forms erupt from or crown human silhouettes, exploring themes of transformation and concealed identity. His combination of draftsmanlike chalk textures with vivid modernist color blocking closely parallels the visual language Legrand employs in this piece.