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David Hockney — The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 31 May, No. 1
David Hockney — The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 31 May, No. 1
David Hockney

The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 31 May, No. 1

2011

The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven), 31 May, No. 1 is a mesmerizing digital landscape by David Hockney, rendered with a vibrant palette and a distinctive graphic immediacy. The composition centers on a winding path, depicted in a striking magenta and purple, that recedes into the verdant depths of a forest. Lush greens dominate the scene, forming a dense canopy and undergrowth, with lighter greens and white blossoms suggesting the fresh growth of spring. The path leads the eye towards a brilliant, luminous opening in the distance, hinting at a tunnel or a clearing bathed in an ethereal light. The bold, expressive lines and saturated colors are characteristic of Hockney’s pioneering iPad drawings, capturing the essence of the natural world with a fresh, contemporary sensibility. The specific date in the title underscores the artist’s intent to document the fleeting moments and subtle shifts of the season. This work exemplifies David Hockney’s enduring fascination with landscape and his relentless exploration of new artistic tools. Having embraced photography and fax machines in earlier decades, Hockney turned to the iPad as a revolutionary medium, allowing him to draw directly and spontaneously, much like traditional *plein air* painting but with an expanded digital palette. The Woldgate series, from which this piece originates, marks a significant return to his native East Yorkshire, a place deeply personal to the artist and a recurring motif in his oeuvre. The series, which chronicled the changing seasons of 2011, showcases his profound engagement with the cycles of nature, light, and perspective. The large scale of this printed iPad drawing transforms the digital brushstrokes into a monumental painterly experience, inviting the viewer into Hockney’s unique vision of the English countryside. The artwork stands as a testament to Hockney’s innovative spirit, bridging traditional landscape themes with groundbreaking digital techniques. It offers collectors a quintessential example of his later work, celebrated for its bold aesthetic, emotional resonance, and the artist’s characteristic blend of observation and invention. This piece not only captures a specific moment in time and place but also represents a pivotal chapter in the career of one of the most influential artists of our era, making it a highly desirable acquisition for any discerning collection.

Medium
iPad drawing printed on paper
Location
Richard Gray Gallery, Chicago, IL

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About this work

David Hockney, The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 31 May, No. 1, 2011

The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven), 31 May, No. 1 is a mesmerizing digital landscape by David Hockney, rendered with a vibrant palette and a distinctive graphic immediacy. The composition centers on a winding path, depicted in a striking magenta and purple, that recedes into the verdant depths of a forest. Lush greens dominate the scene, forming a dense canopy and undergrowth, with lighter greens and white blossoms suggesting the fresh growth of spring. The path leads the eye towards a brilliant, luminous opening in the distance, hinting at a tunnel or a clearing bathed in an ethereal light. The bold, expressive lines and saturated colors are characteristic of Hockney’s pioneering iPad drawings, capturing the essence of the natural world with a fresh, contemporary sensibility. The specific date in the title underscores the artist’s intent to document the fleeting moments and subtle shifts of the season. This work exemplifies David Hockney’s enduring fascination with landscape and his relentless exploration of new artistic tools. Having embraced photography and fax machines in earlier decades, Hockney turned to the iPad as a revolutionary medium, allowing him to draw directly and spontaneously, much like traditional *plein air* painting but with an expanded digital palette. The Woldgate series, from which this piece originates, marks a significant return to his native East Yorkshire, a place deeply personal to the artist and a recurring motif in his oeuvre. The series, which chronicled the changing seasons of 2011, showcases his profound engagement with the cycles of nature, light, and perspective. The large scale of this printed iPad drawing transforms the digital brushstrokes into a monumental painterly experience, inviting the viewer into Hockney’s unique vision of the English countryside. The artwork stands as a testament to Hockney’s innovative spirit, bridging traditional landscape themes with groundbreaking digital techniques. It offers collectors a quintessential example of his later work, celebrated for its bold aesthetic, emotional resonance, and the artist’s characteristic blend of observation and invention. This piece not only captures a specific moment in time and place but also represents a pivotal chapter in the career of one of the most influential artists of our era, making it a highly desirable acquisition for any discerning collection.

Medium
iPad drawing printed on paper
Year
2011
Seen at
Richard Gray Gallery, Chicago, United States

Related themes

Seasonal Change, Forest Path, Serial Work, Saturated color, Light Depth, Purple Magenta, Lush Greenery, Digital Landscape, Woodland Scene, Expressive Line, Plein Air, Winding Road, iPad Drawing, Modern British, English Countryside, Spring Season, Nature Study, Contemporary Art, Rural Landscape, Dense Canopy, Vibrant Color, Figurative Landscape

More works by David Hockney

Collected by

Jonathan Murray, Alex Capecelatro, Richard Caswell, Sebastián In Situ, John McNally, Hamilton Selway Gallery, Aristotle Coonja, Lisa Rembrandt, Gigi Rutkowski, Matt Jones, Ryan, Gloria Winklegli