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Paul Mpagi Sepuya — Mirror Study (0X5A7431)
Paul Mpagi Sepuya

Mirror Study (0X5A7431)

2018

In Mirror Study (0X5A7431), Paul Mpagi Sepuya folds together the studio, the body, and the photographic apparatus into a single charged surface. Reflections multiply and fragment across the composition, so that the mirror becomes less a tool of documentation than an active participant in constructing what the image can and cannot reveal. Sepuya uses the alphanumeric file code embedded in the title to foreground photography's material logic, reminding the viewer that every image is also a data object, a trace produced by specific conditions of light, proximity, and collaboration. The result is a work that holds portraiture and abstraction in careful tension, where skin, glass, and darkness share equal pictorial weight. Sepuya situates this practice within a broader inquiry into queer and homoerotic networks of making, treating the studio as both a social space and a conceptual site. Blackness here is not backdrop but medium in the fullest sense, evoking the chemistry of the darkroom, the void of unexposed film, and the depth of intimacy that resists easy visibility. These concerns place his work in direct conversation with the histories of portraiture that have long excluded or constrained Black and queer subjectivity, and his formal rigor ensures the challenge operates at the level of structure rather than statement alone. Sepuya's photographs are held in significant institutional collections across the United States, and his profile has been confirmed by inclusion in the Whitney Biennial 2019 and Being: New Photography 2018 at the Museum of Modern Art, alongside solo museum exhibitions at Fotomuseum Amsterdam and Contemporary Art Museum St. Louis. Printed as an archival pigment print at a substantial 137.2 by 88.9 centimeters and bearing the artist's signature, this work carries both the intimacy of his studio practice and the commanding physical presence his compositions demand at scale. It represents a meaningful opportunity to acquire a work from a pivotal moment in Sepuya's ongoing reexamination of what portraiture can hold.

Medium
Archival pigment print
Overall
Signed
Yes

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About this work

Paul Mpagi Sepuya, Mirror Study (0X5A7431), 2018

In Mirror Study (0X5A7431), Paul Mpagi Sepuya folds together the studio, the body, and the photographic apparatus into a single charged surface. Reflections multiply and fragment across the composition, so that the mirror becomes less a tool of documentation than an active participant in constructing what the image can and cannot reveal. Sepuya uses the alphanumeric file code embedded in the title to foreground photography's material logic, reminding the viewer that every image is also a data object, a trace produced by specific conditions of light, proximity, and collaboration. The result is a work that holds portraiture and abstraction in careful tension, where skin, glass, and darkness share equal pictorial weight. Sepuya situates this practice within a broader inquiry into queer and homoerotic networks of making, treating the studio as both a social space and a conceptual site. Blackness here is not backdrop but medium in the fullest sense, evoking the chemistry of the darkroom, the void of unexposed film, and the depth of intimacy that resists easy visibility. These concerns place his work in direct conversation with the histories of portraiture that have long excluded or constrained Black and queer subjectivity, and his formal rigor ensures the challenge operates at the level of structure rather than statement alone. Sepuya's photographs are held in significant institutional collections across the United States, and his profile has been confirmed by inclusion in the Whitney Biennial 2019 and Being: New Photography 2018 at the Museum of Modern Art, alongside solo museum exhibitions at Fotomuseum Amsterdam and Contemporary Art Museum St. Louis. Printed as an archival pigment print at a substantial 137.2 by 88.9 centimeters and bearing the artist's signature, this work carries both the intimacy of his studio practice and the commanding physical presence his compositions demand at scale. It represents a meaningful opportunity to acquire a work from a pivotal moment in Sepuya's ongoing reexamination of what portraiture can hold.

Medium
Archival pigment print
Dimensions
overall: 137.2 x 88.9 cm
Year
2018
Signed
Hand-signed by the artist
Seen at
MCA Chicago Benefit Auction

Related themes

Mohn Art Collective

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Collected by

Gavin Kennedy