Picasso frequently explored equestrian subjects in bold, expressive lithographs using vivid multi-colored compositions that closely parallel Marini's approach to the horse and rider theme with modernist distortion and flat planes of color.

Kokoschka's expressionist printmaking shares Marini's emotionally charged use of bold color and gestural mark making, producing figurative lithographs where the human or animal form is energized through vibrant chromatic intensity rather than strict naturalism.

Kirchner's expressionist lithographs employ striking multi-colored figure compositions with raw gestural energy, making his graphic work highly comparable to Marini's colorful and expressive treatment of the rider motif on fine printmaking papers.