Iconoplasm EVOLVED 1
2008
Iconoplasm EVOLVED 1 (2008 / 2026) is a 1/1 AI-augmented video from Iain Ball’s foundational Iconoplasm series. The work reinterprets early physical substance-based assemblages and liminal interventions through contemporary AI image-to-video models, transforming documentation of a visceral, alchemical installation — a pink octopus form erupting from a glass cylinder amid cascading coloured liquids — into a living, dripping, cybernetic ritual. Originally enacted in university spaces and non-places across southern England (and later Australia), Iconoplasm treats art as emergent systems of objects, substances, and processes. This evolved iteration extends the series’ cybernetic logic, demonstrating how human craft is increasingly cyborgianised — augmented and re-patterned by AI’s generative agency — while remaining rooted in Ball’s long-term exploration of materiality, emergence, and the blurring boundaries between physical intervention and computational realms.
- Medium
- AI Image-to-Video, Digital Video NFT (Ethereum)
- Signed
- Yes
- Condition
- Excellent
- Provenance
- Created by Iain Ball as part of the Iconoplasm system (2008), with this AI video evolution completed in 2026. Minted as a 1/1 ERC-721 NFT on Ethereum (contract: 0xaaa96b2b90123193445640a8daf127675b6d8f9d, Token ID: 1). Directly from the artist’s collection. Artist-retained since creation. Full on-chain provenance is publicly verifiable on Etherscan and Manifold.
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Zdzisław Beksiński
Polish · b. 1929

Beksiński created densely textured dystopian figurative works exploring organic mutation and surreal iconography that echo the evolved and iconoclastic biological imagery suggested by Iconoplasm EVOLVED 1. Both artists engage with themes of transformation and flesh rendered in a visionary dark aesthetic.
H.R. Giger
Swiss · b. 1940
Giger's biomechanical paintings fuse organic and structural forms into layered evolving entities that parallel the iconoplasmic and mutating visual language of Ball's work. The shared obsession with transformation of familiar forms into something alien and ritualistic is deeply present in both bodies of work.
Nicola Samori
Italian · b. 1977
Samori manipulates classical painted surfaces through melting and erosion to produce figures that appear to be in states of sacred dissolution and material evolution, closely mirroring the iconoplasmic transformation at the core of Ball's piece. Both artists interrogate religious and figural iconography through visceral material processes.
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