A sculptural work by Josephine Meckseper presents a disembodied mannequin leg clad in hosiery, enclosed beneath a glass dome and elevated on an artist's plinth. The piece engages with themes of commodity fetishism, consumer culture, and the aestheticization of the female body, drawing on the visual language of retail display and museum presentation. The clinical elegance of the glass dome transforms the fragment into a specimen or relic, blurring the boundaries between desire, objectification, and art-world convention.