Walker creates large scale immersive installations that combine silhouette imagery with projected film and video to deliver sharp political and social commentary rooted in historical trauma, sharing Kentridge's use of spatial installation and allegorical visual storytelling.

Oursler constructs video installations that project imagery onto sculptural physical objects, creating an intimate dialogue between film and three dimensional form that closely mirrors Kentridge's integration of projected video with metal and paper sculptural elements.

Sala produces immersive video and film installations that use spatial distortion, architectural environments, and layered narrative to create politically resonant experiences where the viewer's physical position determines their perception, echoing the anamorphic and positional viewing conditions of this Kentridge work.