Walker similarly merges abstraction with conceptual investigations of race and identity using unconventional graphic techniques including silhouette and screenprint, creating works that carry a mysterious visual tension comparable to Simpson's layered approach in Constellation.

Ligon's practice combines text, screenprinting, and mixed media on unconventional surfaces to explore Black identity and American experience conceptually, sharing Simpson's precise graphic sensibility and her use of material choice as a conceptual disruption.

Gallagher works with layered mixed media on unusual supports, combining printmaking techniques with abstract patterning to engage questions of race and identity, closely mirroring Simpson's use of gessoed fiberglass and screenprint to achieve both sculptural dimensionality and conceptual depth.