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Attributed to Jacques Stella — The martyrdom of Saint Catherine of Alexandria
Attributed to Jacques Stella

The martyrdom of Saint Catherine of Alexandria

1630

This intimate devotional object presents a richly detailed narrative scene painted in oil on lapis lazuli, the deep blue stone serving simultaneously as background and support. The composition depicts multiple figures in Renaissance dress arranged across a luminous landscape with a distant city, rendered with remarkable precision on the small scale of approximately 10 by 11 centimeters. Framing the painted center is an ornamental border of gold enamel work set against polished rock crystal, creating a jewel like effect enhanced by the scalloped crystal surround and suspended gold loop. The technical virtuosity lies in the marriage of painting and hardstone carving, demonstrating the precious object making traditions of early modern Italy where miniature narratives were embedded in costly materials.

Medium
Oil on lapis lazuli in gold enamel and rock crystal frame
Dimensions
Location
David Zwirner 69th Street, New York, NY

Notes

From the exhibition 'Set in Stone' at David Zwirner 69th Street, NYC, May 12 to June 26, 2026, in collaboration with Galerie Kugel, Paris. Tombstone date: Italy, c. 1630.

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About this work

Attributed to Jacques Stella, The martyrdom of Saint Catherine of Alexandria, 1630

This intimate devotional object presents a richly detailed narrative scene painted in oil on lapis lazuli, the deep blue stone serving simultaneously as background and support. The composition depicts multiple figures in Renaissance dress arranged across a luminous landscape with a distant city, rendered with remarkable precision on the small scale of approximately 10 by 11 centimeters. Framing the painted center is an ornamental border of gold enamel work set against polished rock crystal, creating a jewel like effect enhanced by the scalloped crystal surround and suspended gold loop. The technical virtuosity lies in the marriage of painting and hardstone carving, demonstrating the precious object making traditions of early modern Italy where miniature narratives were embedded in costly materials.

Medium
Oil on lapis lazuli in gold enamel and rock crystal frame
Dimensions
10.2 x 11.4 cm
Year
1630
Seen at
Adler Beatty, New York, NY

Related themes

Classical Subject, Pietra Dura, Landscape Background, Miniature Painting, Historical Craftsmanship, Gold Enamel, Decorative Arts, Hardstone Work, Rock Crystal, Religious Narrative, Lapis Lazuli, Jewelrylike Object, Italian, Figured Composition, Oil Painting, Devotional Object, Blue Palette, 17th Century, Portable Artwork, Renaissance