Weiner similarly used language and conceptual frameworks to challenge perception and spatial understanding, creating works that question how viewers engage with physical and cognitive space in ways deeply resonant with Boetti's approach.

As a fellow Italian Arte Povera figure, Penone shares Boetti's preoccupation with perception, presence, and the relationship between the viewer and their spatial environment, embedding conceptual inquiry into visually compelling work.

Kawara's conceptually driven practice similarly investigates perception, awareness, and the act of looking through systematic and self referential frameworks, echoing the intellectual rigor and perceptual focus found in Boetti's work.