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Alan Davie — Free Wheeler Variations I, II and IV (Three Prints)
Alan Davie

Free Wheeler Variations I, II and IV (Three Prints)

Alan Davie's "Free Wheeler Variations I, II and IV" consists of three screenprints created in 2000, showcasing the Scottish artist's dynamic abstract vocabulary through vibrant colour compositions. Published by Gresham Studios in Cambridge, these signed and numbered works on wove paper demonstrate Davie's continued engagement with gestural abstraction and spontaneous mark making throughout his prolific career. The substantial sheet size of 750 by 855 millimetres allows the energetic linear and chromatic elements characteristic of Davie's practice to achieve considerable visual impact.

Medium
Three screenprints in colours, 2000, each signed and dated in pencil, the first numbered I/X and the other two numbered 13/30, published by Gresham Studios, Cambridge, on wove paper, sheet 750 x 855mm (29 1/2 x 33 5/8in) (unframed) (3), Condition, Related Lots, BACK TO AUCTION CATALOGUE, Gillian Ayres (1930-2018) Juno and the Paycock (not in Cristea), Estimate: £800 - 1,000, Victor Pasmore (1908-1998) Points of Contact No.1, from Transformations (Bowness & Lambertini 21.1), Estimate: £600 - 800,

🔨 Auction Lot

Prints & Works on Paper 1500-2026

March 31, 2026

Lot 150

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About this work

Alan Davie, Free Wheeler Variations I, II and IV (Three Prints)

Alan Davie's "Free Wheeler Variations I, II and IV" consists of three screenprints created in 2000, showcasing the Scottish artist's dynamic abstract vocabulary through vibrant colour compositions. Published by Gresham Studios in Cambridge, these signed and numbered works on wove paper demonstrate Davie's continued engagement with gestural abstraction and spontaneous mark making throughout his prolific career. The substantial sheet size of 750 by 855 millimetres allows the energetic linear and chromatic elements characteristic of Davie's practice to achieve considerable visual impact.

Medium
Three screenprints in colours, 2000, each signed and dated in pencil, the first numbered I/X and the other two numbered 13/30, published by Gresham Studios, Cambridge, on wove paper, sheet 750 x 855mm (29 1/2 x 33 5/8in) (unframed) (3), Condition, Related Lots, BACK TO AUCTION CATALOGUE, Gillian Ayres (1930-2018) Juno and the Paycock (not in Cristea), Estimate: £800 - 1,000, Victor Pasmore (1908-1998) Points of Contact No.1, from Transformations (Bowness & Lambertini 21.1), Estimate: £600 - 800,
Seen at
Forum Auctions, London, UK

Related themes

20th Century, Non-Representational, Modernist, Scottish Artist, Printmaking, Abstract Expressionism, Gestural Abstraction, Dynamic And Energetic, Multi-Panel Series, Spontaneous Mark Making

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