Ernst similarly embraced Surrealist printmaking with rich color and poetic symbolism, producing portfolio works that merged literary and visual expression in deeply abstract compositions. His aquatint and etching techniques share the same dreamlike biomorphic vocabulary found throughout Centre Noeuds.

Miró produced extensive suites of colorful etchings and aquatints with strong Surrealist foundations, often collaborating with poets to unite visual and literary worlds in unified portfolio presentations. His abstract symbolic forms and vibrant color fields closely echo the expressive energy of Matta's Centre Noeuds.

Masson was a central Surrealist figure who created deeply poetic etching portfolios with automatic drawing techniques, often produced in close collaboration with writers including Antonin Artaud himself. His layered biomorphic abstraction and integration of text and image mirror the conceptual and visual approach of Centre Noeuds.