Höller creates experience driven installations that treat hedonism, pleasure and sensory spectacle as conceptual subjects, directly paralleling Baas's celebration themed clock. His work similarly fuses kinetic movement, video, and participatory performance into objects that interrogate how humans experience time and joy.

Signer's time based sculptures and video works use ephemeral physical events, often involving scattered or dispersed materials, to make duration and entropy visible as poetic gestures, closely mirroring Baas's confetti swept figure as a metaphor for the passage of time. Both artists embed narrative performance within functional or clock like objects.

Wurm combines absurdist humor, everyday ritual, clay and handmade sculptural forms with conceptual precision to comment on social behavior, directly comparable to Baas's use of clay animation and a dutiful sweeping figure performing a repetitive ceremonial act. His work equally blurs the line between performance, sculpture and video art.