
Saint Apollonia, II.333
1984
This 1984 screenprint demonstrates Warhol's late-period exploration of religious iconography, depicting the patron saint of dentistry in his characteristic Pop Art style. Part of a limited edition of 250, the work exemplifies Warhol's masterful use of commercial screenprinting techniques to transform traditional Catholic imagery into contemporary artistic commentary.
- Medium
- Screenprint on Essex Offset Kid Finish Paper
- Dimensions
- Edition
- Edition of 250 of 250
- Signed
- Yes
- Location
- Hamilton Selway, West Hollywood, CA
- Spotted At
- Gallery · Hamilton SelwayView on map
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Robert Rauschenberg
American · b. 1925

Rauschenberg similarly employed screenprinting techniques to blend cultural and religious imagery with commercial aesthetics, creating works that recontextualize sacred and popular subjects in a bold, flat visual language closely aligned with this Warhol piece.
Sister Corita Kent
American · b. 1918
Kent fused Catholic religious iconography with bold Pop Art screenprinting methods, directly paralleling Warhol's approach of transforming sacred subjects through commercial print techniques and vivid graphic color.

Roy Lichtenstein
American · b. 1923

Lichtenstein shared Warhol's commitment to elevating commercial and mass reproduction techniques into fine art, and similarly created portrait based works that flattened imagery into graphic, high contrast compositions drawn from popular and cultural visual sources.
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