Sarah Moon's fashion photography shares Roversi's signature dreamlike, painterly quality with soft grain and a romantic atmospheric mood that transforms garments into poetic visual narratives rather than mere product images.

Turbeville pioneered a similarly ethereal and melancholic approach to fashion photography, using soft focus and muted tones to create intimate and haunting portraits of women that echo Roversi's pictorialist sensibility.

Like Roversi's work for Romeo Gigli, Bourdin treated fashion photography as fine art by prioritizing mood and visual storytelling, pushing the boundaries of the medium through unconventional lighting and an intensely personal artistic vision.