A vast, hazy panorama of Chongqing unfolds across Nadav Kander's large-scale chromogenic print, revealing the megacity's dense urban sprawl shrouded in atmospheric pollution and muted, mournful tones. Tiny human figures dot the muddy banks of the Yangtze River, dwarfed by the towering, anonymous architecture that rises behind them, emphasizing the overwhelming scale of China's rapid industrialization. Kander's carefully composed image captures both the sublime power and the quiet melancholy of a civilization in the midst of profound transformation.