Andre's sculptural practice similarly interrogates raw industrial materials with a minimalist sensibility, emphasizing the inherent physical properties of matter over decorative form. His work shares Tuazon's interest in how humble, often utilitarian materials can generate conceptual weight and perceptual tension.

Walther's work engages deeply with materiality, phenomenological experience, and the limits of perception, closely mirroring Tuazon's exploration of what it means to see or fail to see within a sculptural object. His use of unconventional, tactile materials also resonates with the rough papercrete texture central to this piece.

Gates employs recycled and repurposed industrial materials in sculptural and installation works that carry strong conceptual and social meaning, paralleling Tuazon's use of papercrete as a hybrid DIY material. Both artists find expressive and introspective potential in muted, raw surfaces that resist conventional aesthetic polish.