Johns shares Rauschenberg's Neo-Dada sensibility and mastery of experimental printmaking, frequently layering found imagery with gestural mark making in lithographs that blend abstract and recognizable elements into complex collage like compositions.

Dine's printmaking practice similarly combines photographic transfer techniques with expressive gestural mark making, producing layered lithographs that merge found imagery and abstract elements in a manner closely aligned with Rauschenberg's late period aesthetic.

Motherwell's lithographic works integrate Abstract Expressionist gestural marks with collage derived visual language, echoing the same fusion of spontaneous mark making and assembled imagery that defines this Rauschenberg print.