Johns similarly employs screenprint and layered image techniques that combine everyday visual references with painterly abstraction, creating fragmented compositions that blur the boundary between fine art and popular culture in the same Neo-Dada spirit as this Rauschenberg work.

Rosenquist used large scale screenprints and lithographs to collage disparate photographic and commercial imagery into unified yet deliberately disjointed compositions, sharing Rauschenberg's approach of merging mass media fragments into a single pictorial field.

Paolozzi was a pioneering printmaker who layered photographic transfers, commercial imagery, and fragmented visual elements through screenprint, producing collage driven works that similarly dissolve boundaries between high art and popular culture with a strong conceptual underpinning.