A delicate map-like composition unfolds across the organic surface of cowhide, where Leonilson traces the world's rivers in fluid, gestural lines that seem to pulse with quiet vulnerability. The natural texture and irregular edges of the animal hide become integral to the work's meaning, blurring boundaries between the geographic and the corporeal, the global and the deeply personal. True to Leonilson's poetic sensibility, the piece transforms cartographic data into an intimate meditation on connection, longing, and the invisible threads that bind distant places and bodies together.