Dijkstra's beach and swimmer series photographs figures in and near water with the same intimate naturalistic color photography and careful balance between documentary observation and poetic vulnerability that defines Freischwimmer 104. Both artists explore the human body in aquatic environments with large scale prints and a serene yet psychologically loaded clarity.

Southam creates large scale color photographs of natural water bodies and their surroundings that share Tillmans' meditative quality, minimalist composition, and interest in light dissolving across water surfaces. His work similarly occupies the space between documentary photography and abstract contemplation of natural environments.

Davey's intimate color photography captures candid human figures in natural settings with the same warmth, vulnerability, and unstaged authenticity that characterizes Tillmans' approach in this series. Her naturalistic palette and sensitivity to light in outdoor environments closely mirrors the serene yet emotionally charged quality of Freischwimmer 104.