Delaunay shared Léger's passion for bold geometric forms and vibrant color relationships rooted in Cubist theory, creating dynamic compositions that balance abstraction with recognizable imagery in a similarly energetic modernist vocabulary.

Gris frequently composed still life and floral subjects using the same Cubist geometric fragmentation and strong color contrasts seen in this work, rendering organic forms like flowers into interlocking flat planes with bold outlines.

Davis absorbed the French Cubist influence directly from artists like Léger, producing colorful geometric compositions with flattened bold forms and dynamic arrangements that closely echo the visual energy and chromatic intensity of this particular piece.