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Julie Mehretu — Amulet in Crowd
Julie Mehretu

Amulet in Crowd

"Amulet in Crowd" exemplifies Julie Mehretu's characteristic layering of architectural and cartographic imagery through the precise linear technique of drypoint, a printmaking method that creates rich, velvety blacks through burr on the copper plate. The work combines the delicate translucency of Chine collé, a traditional Japanese paper adhering technique, with the substantial support of Hahnemühle Copperplate paper, allowing Mehretu to build complex spatial relationships between mark and ground. The composition reflects her ongoing exploration of how individual forms navigate within dense, collective environments, translating themes central to her larger body of work into the intimate scale of prints.

Medium
Drypoint, on Chine collé to Hahnemühle Copperplate paper, with full margins.

🔨 Auction Lot

Editions & Works on Paper

February 12, 2025

Lot 137

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About this work

Julie Mehretu, Amulet in Crowd

"Amulet in Crowd" exemplifies Julie Mehretu's characteristic layering of architectural and cartographic imagery through the precise linear technique of drypoint, a printmaking method that creates rich, velvety blacks through burr on the copper plate. The work combines the delicate translucency of Chine collé, a traditional Japanese paper adhering technique, with the substantial support of Hahnemühle Copperplate paper, allowing Mehretu to build complex spatial relationships between mark and ground. The composition reflects her ongoing exploration of how individual forms navigate within dense, collective environments, translating themes central to her larger body of work into the intimate scale of prints.

Medium
Drypoint, on Chine collé to Hahnemühle Copperplate paper, with full margins.
Seen at
Phillips, New York, London, Hong Kong

Related themes

Ethiopian-American Artist, Contemplative Mood, Layered Composition, Architectural mapping, Mixed Media, 21st Century, Contemporary Art, Urban Landscape, Ink And Acrylic

More works by Julie Mehretu

Collected by

Alex Capecelatro, Hamilton Selway Gallery