Albers devoted his career to systematic grid based and geometric compositions exploring color relationships on canvas, sharing the same methodical and structured visual language seen in Grilles II. His Homage to the Square series reflects the same foundational modernist principles of repeated geometric units as a primary subject.

Morellet built his entire practice around systematic grid structures and rule based geometric abstraction, directly mirroring the compositional logic of Grilles II. His early 1950s and 1960s works using intersecting lines and grids on canvas are strikingly close in spirit and form to this specific piece.

Lohse worked within a rigorous systematic approach to geometric abstraction using modular grid units as the core structure of his paintings, closely paralleling the methodical grid exploration of Grilles II. His Concrete Art practice emphasized mathematical order and repetition in ways that align precisely with Vasarely's early visual language here.