As a co-founder of ZERO group alongside Uecker, Mack similarly explores tactile surfaces and light through repetitive structural elements in monochrome abstract works. His relief constructions share the same visual rhythm and materiality found in Splitter.

Fontana's Spatialism similarly transforms flat surfaces into three dimensional tactile experiences through physical intervention into materials, creating bold abstract works where texture and space become the primary subjects. His punctured and slashed canvases share the same aggressive material directness as Uecker's nail compositions.

Arman's accumulation works similarly employ repetitive arrangements of everyday industrial objects embedded into surfaces to create bold monochromatic relief compositions. His systematic use of found objects as texture-generating elements closely parallels Uecker's nail-based approach in Splitter.