This portfolio presents eleven etchings created by various artists working in the Surrealist movement during the interwar period, offering a snapshot of the avant garde experimentation that flourished between the two world wars. The works are presented in their original presentation format, each print mounted within grey card mats and housed in a black portfolio with accompanying slipcase, preserving the careful aesthetic intentions of the publication's design. The inclusion of a title page and colophon situates these etchings within the broader context of an international survey of contemporary printmaking, documenting the diverse approaches Surrealist artists employed in the medium of etching during this pivotal moment in modernist art history.