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Roy Lichtenstein — Venetian School I
Roy Lichtenstein — Venetian School I
Roy Lichtenstein — Venetian School I
Roy Lichtenstein

Venetian School I

Venetian School I demonstrates Roy Lichtenstein's masterful engagement with art historical references during the final decade of his career. Created in 1996, this screenprint references the rich tradition of Venetian painting through the artist's signature ben day dot technique and bold graphic language. The composition transforms classical Venetian imagery into Lichtenstein's distinctive visual vocabulary, where precise color fields and mechanical reproduction processes elevate the source material into a contemporary meditation on artistic inheritance. Printed on luxurious Lanaquarelle watercolor paper, the work reveals the artist's sophisticated understanding of surface and materiality, creating a dialogue between the flatness of commercial printing and the tactile qualities of fine art paper. This signed work from an edition of fifty represents Lichtenstein at a moment when he synthesized decades of engagement with appropriation, modernist formal concerns, and historical consciousness. Rather than simply pastiche or homage, Venetian School I functions as a complex statement about how artistic traditions are filtered through contemporary visual culture and mass reproduction. The generous scale and careful printing quality evident in this example underscore the work's significance within Lichtenstein's late practice, offering collectors a compelling example of how the artist continued to challenge distinctions between high and low art, original and reproduction, through increasingly nuanced technical means.

Medium
Roy Lichtenstein, Venetian School I, (Corlett 295), 1996, Signed, Original screenprint on Lanaquarelle watercolor paper, Edition 50, 47 1/2" x 32" Sheet Size, 39 7/8" x 25" Image Size

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About this work

Roy Lichtenstein, Venetian School I

Venetian School I demonstrates Roy Lichtenstein's masterful engagement with art historical references during the final decade of his career. Created in 1996, this screenprint references the rich tradition of Venetian painting through the artist's signature ben day dot technique and bold graphic language. The composition transforms classical Venetian imagery into Lichtenstein's distinctive visual vocabulary, where precise color fields and mechanical reproduction processes elevate the source material into a contemporary meditation on artistic inheritance. Printed on luxurious Lanaquarelle watercolor paper, the work reveals the artist's sophisticated understanding of surface and materiality, creating a dialogue between the flatness of commercial printing and the tactile qualities of fine art paper. This signed work from an edition of fifty represents Lichtenstein at a moment when he synthesized decades of engagement with appropriation, modernist formal concerns, and historical consciousness. Rather than simply pastiche or homage, Venetian School I functions as a complex statement about how artistic traditions are filtered through contemporary visual culture and mass reproduction. The generous scale and careful printing quality evident in this example underscore the work's significance within Lichtenstein's late practice, offering collectors a compelling example of how the artist continued to challenge distinctions between high and low art, original and reproduction, through increasingly nuanced technical means.

Medium
Roy Lichtenstein, Venetian School I, (Corlett 295), 1996, Signed, Original screenprint on Lanaquarelle watercolor paper, Edition 50, 47 1/2" x 32" Sheet Size, 39 7/8" x 25" Image Size
Seen at
Georgetown Frame Shoppe, Washington, D.C., United States

More works by Roy Lichtenstein

Collected by

Sebastián In Situ, Brian Stevens, Hamilton Selway Gallery, Art Institute of Chicago, Sebastián Naranjo