"Untitled (Good Days)" by Rashid Johnson combines archival inkjet printing and screenprinting with industrial rubber flocking to create a textured, multisensory work that engages both visual and tactile dimensions. The artist's incorporation of unconventional materials like rubber flocking transforms the traditional print into an object with physical presence, characteristic of Johnson's broader practice that often merges photography, painting, and sculptural elements. Presented on wove paper with full margins, the work reflects Johnson's interest in exploring themes of memory, domestic space, and African American identity through hybrid artistic techniques.