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Nevine Mahmoud — Bust (Babette)
Nevine Mahmoud — Bust (Babette)
Nevine Mahmoud

Bust (Babette)

2019

Bust (Babette) presents a compact yet commanding sculptural form, blending the classical language of portraiture with Nevine Mahmoud's distinctive sensibility for materiality and bodily suggestion. Realized in glass with aluminum hardware, the work occupies a modest footprint while radiating an almost uncanny presence, the translucency of the glass simultaneously concealing and revealing, inviting prolonged looking without offering easy resolution. Mahmoud treats the bust as both a historical reference and a vehicle for exploring surface, weight, and desire, her forms evoking the body in abbreviated, abstracted terms that resist direct representation while remaining deeply, even sensuously, physical. Mahmoud has built a significant international profile through her commitment to sculpture that negotiates the border between the seductive and the cerebral. Her glass works in particular demonstrate a refined command of a notoriously difficult material, one that carries associations ranging from fragility and luxury to industrial precision. In Bust (Babette), the choice of glass transforms what might otherwise read as a conventional figurative exercise into something far more ambiguous and contemporary, the material's inherent mutability lending the work a quality that shifts with light and viewing angle. The aluminum hardware grounds the piece with a spare, functional counterpoint to the glass's optical richness. For collectors, Bust (Babette) represents an opportunity to acquire a signed work from a pivotal moment in Mahmoud's practice, a period during which her sculptures gained significant critical momentum and institutional attention. Offered through Nina Johnson, the work fits comfortably within a range of collecting contexts, from interiors organized around material experimentation to collections focused on artists rethinking the sculptural figure for contemporary discourse. At this scale, the piece carries an intimacy that larger institutional works cannot replicate, making it particularly well suited to thoughtful private environments.

Medium
Glass, aluminum hardware
Overall
Signed
Yes
Location
Nina Johnson, Miami, FL

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About this work

Nevine Mahmoud, Bust (Babette), 2019

Bust (Babette) presents a compact yet commanding sculptural form, blending the classical language of portraiture with Nevine Mahmoud's distinctive sensibility for materiality and bodily suggestion. Realized in glass with aluminum hardware, the work occupies a modest footprint while radiating an almost uncanny presence, the translucency of the glass simultaneously concealing and revealing, inviting prolonged looking without offering easy resolution. Mahmoud treats the bust as both a historical reference and a vehicle for exploring surface, weight, and desire, her forms evoking the body in abbreviated, abstracted terms that resist direct representation while remaining deeply, even sensuously, physical. Mahmoud has built a significant international profile through her commitment to sculpture that negotiates the border between the seductive and the cerebral. Her glass works in particular demonstrate a refined command of a notoriously difficult material, one that carries associations ranging from fragility and luxury to industrial precision. In Bust (Babette), the choice of glass transforms what might otherwise read as a conventional figurative exercise into something far more ambiguous and contemporary, the material's inherent mutability lending the work a quality that shifts with light and viewing angle. The aluminum hardware grounds the piece with a spare, functional counterpoint to the glass's optical richness. For collectors, Bust (Babette) represents an opportunity to acquire a signed work from a pivotal moment in Mahmoud's practice, a period during which her sculptures gained significant critical momentum and institutional attention. Offered through Nina Johnson, the work fits comfortably within a range of collecting contexts, from interiors organized around material experimentation to collections focused on artists rethinking the sculptural figure for contemporary discourse. At this scale, the piece carries an intimacy that larger institutional works cannot replicate, making it particularly well suited to thoughtful private environments.

Medium
Glass, aluminum hardware
Dimensions
overall: 40.6 x 22.9 x 31.8 cm
Year
2019
Signed
Hand-signed by the artist
Seen at
Nina Johnson, Miami, FL

Related themes

Mohn Art Collective

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