Untitled (Double Face Museum Series) presents a chrome electric guitar mounted within a polished aluminum frame, collapsing the boundary between musical instrument and art object with precise, unsettling elegance. Created in 2016, the work belongs to Tsabar's ongoing investigation into the gendered histories of rock music, institutional display, and the latent energy of objects held in suspension. The guitar, typically understood as a vehicle for sound and performance, is here silenced and enshrined, transformed into a wall-bound artifact that simultaneously critiques and inhabits the logic of the museum. The reflective surfaces of both the aluminum frame and the chrome body create a dialogue of mirroring and doubling, making the viewer complicit in the act of looking while suggesting that something volatile remains just beneath the surface of containment. Tsabar's practice is widely recognized for its ability to fuse sculpture, architecture, and feminist theory into objects that feel both formally rigorous and charged with political intention. At 86.4 by 29.2 by 12.7 centimeters, the work is intimate in scale yet monumental in conceptual weight, demanding close attention to its material logic. The inclusion of a unique framed print further extends the serial and archival thinking embedded in the Museum Series, reinforcing Tsabar's interest in how objects are documented, reproduced, and authenticated within institutional frameworks. Signed by the artist and offered through Spinello Projects, this is a rare opportunity to acquire a work that holds a significant position within Tsabar's body of practice and within broader conversations about power, display, and the politics of sound.