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Art Institute of Chicago

Spotted

Maxime Du Camp (French, 1822–1894) — Tombeau de Cidi-Abdellah-el-Marabout, Haute-Egypte, plate 62 from the album "Egypte, Nubie, Palestine et Syrie" (1852)

Maxime Du Camp (French, 1822–1894)

Tombeau de Cidi-Abdellah-el-Marabout, Haute-Egypte, plate 62 from the album "Egypte, Nubie, Palestine et Syrie" (1852)

1849

Featuring a typical Marabout tomb in Upper Egypt, this photograph documents the continuing Islamic architectural tradition in 19th-century Egypt. The simple, whitewashed structure demonstrates the enduring form of North African religious architecture.

Medium
Salted paper print

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Spotted works by Maxime Du Camp (French, 1822–1894)

About this work

Maxime Du Camp (French, 1822–1894), Tombeau de Cidi-Abdellah-el-Marabout, Haute-Egypte, plate 62 from the album "Egypte, Nubie, Palestine et Syrie" (1852), 1849

Featuring a typical Marabout tomb in Upper Egypt, this photograph documents the continuing Islamic architectural tradition in 19th-century Egypt. The simple, whitewashed structure demonstrates the enduring form of North African religious architecture.

Medium
Salted paper print
Year
1849
Seen at
Art Institute of Chicago, Chicago, IL

Related themes

Nineteenth Century, Monument, Photography, French, Documentary, Egypt, Historical, Travel, Architecture, Salted Paper Print

More works by Maxime Du Camp (French, 1822–1894)

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Art Institute of Chicago