This large-scale work from Mark Hagen's ongoing "Additive Painting" series presents a quietly absorbing investigation into surface, materiality, and the phenomenology of perception. Acrylic is applied to burlap stretched over panel, and the coarse weave of the substrate becomes an active participant in the composition rather than a passive ground, disrupting the paint's passage and generating a tactile visual rhythm that rewards close attention. The deliberate withholding of a fixed title positions the work within Hagen's broader conceptual framework, one in which meaning accumulates through the viewer's sustained encounter rather than through prescribed narrative or iconography. Hagen, who came to prominence in the early 2010s through institutional recognition and significant critical attention in Los Angeles and internationally, uses the "Additive Painting" series to interrogate how color, light, and texture interact across a painted surface over time. At 172.7 by 132.1 centimeters, this example commands the wall and shifts perceptibly as ambient light conditions change throughout the day, a quality that makes it particularly suited to residential or institutional interiors where viewers return to the work repeatedly. The scale also aligns the piece with the ambitious physicality of West Coast Minimalism while maintaining a distinctly personal and process-oriented sensibility. The work is presented in good condition with no apparent conservation concerns, and it arrives unframed, allowing a new owner the opportunity to contextualize it according to their own aesthetic environment. Signed and dated, it represents a well-preserved and intellectually substantive example from a defining moment in Hagen's practice, carrying strong provenance through Heritage Auctions.