This woodblock print from Hokusai's series "One Hundred Famous Views of Edo" depicts a dramatic perspective view from beneath the Mannen Bridge looking toward the Fukagawa district, with the composition emphasizing depth through converging lines of the bridge's wooden supports. The print showcases Hokusai's masterful use of Prussian blue, a pigment newly available in Japan during the Edo period, to create atmospheric effects and spatial recession. The work exemplifies the artist's innovative approach to landscape representation, combining Western perspective techniques with traditional Japanese printmaking methods.