Joseph Beuys' "Iphigenie" documents a 1985 performance at Frankfurt's Experimenta space through eight vintage photographs by Abisag Tüllmann, capturing the artist's engagement with classical mythology and ritualistic performance practices. The work reflects Beuys' characteristic approach of transforming historical and mythological narratives into contemporary artistic experiences that blur boundaries between visual art, theater, and social commentary. The presentation of the photographs in an aluminum frame elevates the documentary evidence of the performance to gallery object status, consistent with Beuys' belief that all human activity could be considered art.