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Josef Albers — Concord; and Chrysoprase, from Die Oberfläche (The Surface) (D. 167.1, 167.4)
Josef Albers

Concord; and Chrysoprase, from Die Oberfläche (The Surface) (D. 167.1, 167.4)

Josef Albers' portfolio work exploring color theory and surface texture through two compositions: Concord and Chrysoprase. The signed and numbered pieces reflect Albers' systematic investigation of color interaction.

Medium
Both signed, titled, dated and numbered 112/120 in pencil, published by Ives-Sillman, Inc., New Haven, for

🔨 Auction Lot

Editions & Works on Paper

October 24, 2022

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About this work

Josef Albers, Concord; and Chrysoprase, from Die Oberfläche (The Surface) (D. 167.1, 167.4)

Josef Albers' portfolio work exploring color theory and surface texture through two compositions: Concord and Chrysoprase. The signed and numbered pieces reflect Albers' systematic investigation of color interaction.

Medium
Both signed, titled, dated and numbered 112/120 in pencil, published by Ives-Sillman, Inc., New Haven, for
Seen at
Phillips, New York, London, Hong Kong

Related themes

Portfolio, Geometric, Surface, Albers, Modern Art, Color Theory, Abstract

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Collected by

Alex Capecelatro