This monotype combines printed and hand-drawn elements, with Chamberlain applying colored crayon over the printed base to create dynamic, gestural marks that emphasize the work's improvisational quality. The technique of hand coloring a monotype allows the artist to intervene directly in the printing process, resulting in a unique piece that bridges printmaking and drawing. The full margins visible around the composition preserve evidence of the artist's working process and enhance the work's presentation as a deliberately finished print object.