A triptych that masterfully combines lithography and screenprint techniques, Joe Goode's *Untitled* unfolds across three full sheets of Roll Rives paper in a rich interplay of color and layered mark-making. The work reflects Goode's characteristic blending of printmaking processes to create nuanced surfaces that balance gestural spontaneity with structured composition. Printed in multiple colors, the three-panel format invites the eye to move across the sheets, discovering subtle variations and visual echoes that unite the work as a cohesive whole.