This limited edition lithographic print, produced in 2013 in a carefully controlled edition of 200, represents a rare point of convergence between two of California's most significant figures in perceptual and light-based art. Numbered in pencil and signed, the work carries the quiet authority of a document that bridges two distinct but philosophically aligned practices. Printed at 45.7 by 45.7 centimetres, the square format is itself a considered choice, lending the composition a stillness and self-containment that rewards sustained attention rather than immediate reading. James Turrell has spent decades investigating how light functions not as a medium for illuminating objects but as a phenomenon in itself, something with tangible presence and weight. His involvement in this collaborative print project, produced in association with Nye plus Brown Gallery and Ace Los Angeles, extends that inquiry into the intimate and collectible format of the offset lithograph. The result is a work that asks its viewer to slow down, to become aware of tone and gradient as spatial events, consistent with the larger body of work for which Turrell is internationally recognised. For collectors, this print offers a compelling entry point into Turrell's practice at a scale suited to domestic or institutional display. Its numbered status within a finite edition of 200, combined with the artist's signature, establishes clear provenance and positions the work as both a meaningful aesthetic object and a sound addition to a collection focused on postwar and contemporary American art. The piece is currently available through David Lawrence Gallery.