Steinbach's work similarly blurs the boundary between found objects and sculptural assemblage within gallery contexts, investigating how everyday materials accumulate cultural and material meaning. His shelf based arrangements share Ball's interest in techno materialism and the uncanny recontextualization of objects into formal sculptural statements.

De Joode works at the intersection of digital image making and physical sculpture, often translating digitally generated or AI processed forms into tangible objects with organic and synthetic textures that feel simultaneously alive and artificial. Her practice directly mirrors Ball's recursive movement between digital origin and physical sculptural outcome.

Rosenkranz uses synthetic foams, plastics, and organic materials to interrogate the porous boundary between biological life and artificial substance, producing works with a similarly haunting and post internet materiality. Her sculptures share the foam like masses and translucent synthetic qualities visible in Ball's Symptoms Transmutation series.