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Cleveland Museum of Art

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Lawrence Alma-Tadema — Glaucus and Nydia
Lawrence Alma-Tadema

Glaucus and Nydia

1867

"It was one of the few moments in her brief and troubled life that it was sweet to treasure." Weaving a rose garland as a present for her beloved master Glaucus, the blind servant Nydia resists speaking of her love for him. The scene is based on Sir Edward Bulwer-Lytton's enormously popular historical novel The Last Days of Pompeii (published in 1835), a melodramatic epic set in ancient Roman times, which culminates with the eruption of Mount Vesuvius. Responding to the 19th-century appetite for things antique, the artist filled his historical scenes with depictions of Roman frescoes and statuary. Dutch by birth, Alma-Tadema made this picture in Brussels for a London art dealer. But the demand for such paintings became so great that he moved to England, where he achieved great financial and social success.

Medium
oil on wood panel

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Lawrence Alma-Tadema, Glaucus and Nydia, 1867

"It was one of the few moments in her brief and troubled life that it was sweet to treasure." Weaving a rose garland as a present for her beloved master Glaucus, the blind servant Nydia resists speaking of her love for him. The scene is based on Sir Edward Bulwer-Lytton's enormously popular historical novel The Last Days of Pompeii (published in 1835), a melodramatic epic set in ancient Roman times, which culminates with the eruption of Mount Vesuvius. Responding to the 19th-century appetite for things antique, the artist filled his historical scenes with depictions of Roman frescoes and statuary. Dutch by birth, Alma-Tadema made this picture in Brussels for a London art dealer. But the demand for such paintings became so great that he moved to England, where he achieved great financial and social success.

Medium
oil on wood panel
Year
1867
Seen at
Cleveland Museum of Art, Cleveland, OH

Related themes

Wood, Modern, Unique Work

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Cleveland Museum of Art