Weiner similarly reduces language to its most elemental forms, using single words or brief phrases as complete conceptual artworks that explore linguistic abstraction and the relationship between text and meaning.

Barry's conceptual practice embraces extreme reduction and minimalist presentation, often isolating single words or letters to examine how language functions as both form and idea in a spare visual field.

Kawara's work shares the same commitment to radical reduction and conceptual minimalism, distilling complex ideas into singular, spare visual units that question representation and the nature of meaning itself.