Two large-scale chromogenic prints placed side by side reveal the otherworldly, rust-red landscape of nickel tailings left behind by decades of industrial mining near Sudbury, Ontario. Burtynsky's aerial perspective transforms the toxic waste deposits into a hauntingly beautiful abstraction, where rich crimson and ochre hues ripple across the earth like a painter's canvas. The diptych format amplifies the vast scale of environmental extraction, inviting viewers to grapple with the tension between industrial sublime and ecological consequence.