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Léon Augustin Lhermitte — The Hayfield
Léon Augustin Lhermitte

The Hayfield

In "The Hayfield," Léon Augustin Lhermitte brings his signature command of pastel to an intimate rural scene that exemplifies the quiet dignity he devoted to agrarian life in late nineteenth-century France. Working within a horizontal format that naturally evokes the expansive openness of agricultural land, Lhermitte builds the composition with the soft, layered strokes characteristic of his finest works on paper, achieving a luminous warmth that oil alone could not replicate. The modest scale of the sheet, just over thirty by fifty centimeters, concentrates the viewer's attention and gives the work an immediacy more akin to a private study than a formal exhibition piece, suggesting this may have been among the more personal expressions of a subject he returned to throughout his career. The provenance of this pastel adds a compelling layer of history for the discerning collector. A fragmentary Parke-Bernet auction catalog page preserved on the frame backing bears a handwritten inscription recording its purchase at that gallery in February 1948 for one hundred and fifty dollars, placing the work within a documented chain of American collecting that stretches back more than seventy-five years. The wood frame backing is additionally stamped by the Parisian framer Havard Frères, indicating the work was professionally framed in France before crossing the Atlantic, further supporting an early and deliberate collecting history. Signed by the artist at the lower right, "The Hayfield" represents a well-preserved and traceable example of Lhermitte's pastoral vision at a scale suited to intimate display.

Medium
Pastel on paper
Overall
Signed
Yes

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About this work

Léon Augustin Lhermitte, The Hayfield

In "The Hayfield," Léon Augustin Lhermitte brings his signature command of pastel to an intimate rural scene that exemplifies the quiet dignity he devoted to agrarian life in late nineteenth-century France. Working within a horizontal format that naturally evokes the expansive openness of agricultural land, Lhermitte builds the composition with the soft, layered strokes characteristic of his finest works on paper, achieving a luminous warmth that oil alone could not replicate. The modest scale of the sheet, just over thirty by fifty centimeters, concentrates the viewer's attention and gives the work an immediacy more akin to a private study than a formal exhibition piece, suggesting this may have been among the more personal expressions of a subject he returned to throughout his career. The provenance of this pastel adds a compelling layer of history for the discerning collector. A fragmentary Parke-Bernet auction catalog page preserved on the frame backing bears a handwritten inscription recording its purchase at that gallery in February 1948 for one hundred and fifty dollars, placing the work within a documented chain of American collecting that stretches back more than seventy-five years. The wood frame backing is additionally stamped by the Parisian framer Havard Frères, indicating the work was professionally framed in France before crossing the Atlantic, further supporting an early and deliberate collecting history. Signed by the artist at the lower right, "The Hayfield" represents a well-preserved and traceable example of Lhermitte's pastoral vision at a scale suited to intimate display.

Medium
Pastel on paper
Dimensions
overall: 31.8 x 51.4 cm
Signed
Hand-signed by the artist
Seen at
Skinner

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Collected by

Cleveland Museum of Art