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Charles Long — Digital Iris Print "Arrogant Peceiver" Pencil Signed with Initials edition of 15
Charles Long — Digital Iris Print "Arrogant Peceiver" Pencil Signed with Initials edition of 15
Charles Long — Digital Iris Print "Arrogant Peceiver" Pencil Signed with Initials edition of 15
Charles Long

Digital Iris Print "Arrogant Peceiver" Pencil Signed with Initials edition of 15

1990

"Arrogant Perceiver" belongs to Charles Long's Internalized Page Project, a series of color Iris digital prints on paper produced and published by Muse X in Los Angeles in 1998. Printed in an edition of only 15, this example is initialed on the verso and numbered, carrying the understated authentication characteristic of limited digital editions from this period. The work is held in the permanent collection of the Museum of Modern Art, New York, a distinction that firmly places it within the institutional canon of early digital printmaking and underscores its art-historical significance for collectors considering its long-term value. Long, born in 1958 in Long Branch, New Jersey and now based in California, trained at the University of the Arts in Philadelphia, the Whitney Independent Study Program, and Yale University, where he completed his M.F.A. His practice has consistently investigated the psychological dimensions of the autonomous art object, working across sculpture, installation, and works on paper with materials as varied as rubber, coffee grounds, and hair from Abraham Lincoln. He has participated in the Whitney Biennial twice, in 1997 and 2008, and his solo presentations span institutions including The Contemporary Austin, the UCLA Hammer Museum, Orange County Museum of Art, and Madison Square Park in New York. At 27.9 by 21.6 centimeters, this print has an intimate scale that rewards close looking, aligning with Long's broader interest in perception, interiority, and the boundary between self and object. The title's confrontational charge, "Arrogant Perceiver," positions the viewer as a subject under examination, a conceit consistent with the conceptual rigor that distinguishes Long's multidisciplinary output. Pencil-signed with his initials, the work is offered unframed, presenting an opportunity to present it within a context of the collector's own choosing.

Medium
Digital Print
Sheet
Signed
Yes
Location
Lions Gallery, Surfside, FL

For Sale — $450

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About this work

Charles Long, Digital Iris Print "Arrogant Peceiver" Pencil Signed with Initials edition of 15, 1990

"Arrogant Perceiver" belongs to Charles Long's Internalized Page Project, a series of color Iris digital prints on paper produced and published by Muse X in Los Angeles in 1998. Printed in an edition of only 15, this example is initialed on the verso and numbered, carrying the understated authentication characteristic of limited digital editions from this period. The work is held in the permanent collection of the Museum of Modern Art, New York, a distinction that firmly places it within the institutional canon of early digital printmaking and underscores its art-historical significance for collectors considering its long-term value. Long, born in 1958 in Long Branch, New Jersey and now based in California, trained at the University of the Arts in Philadelphia, the Whitney Independent Study Program, and Yale University, where he completed his M.F.A. His practice has consistently investigated the psychological dimensions of the autonomous art object, working across sculpture, installation, and works on paper with materials as varied as rubber, coffee grounds, and hair from Abraham Lincoln. He has participated in the Whitney Biennial twice, in 1997 and 2008, and his solo presentations span institutions including The Contemporary Austin, the UCLA Hammer Museum, Orange County Museum of Art, and Madison Square Park in New York. At 27.9 by 21.6 centimeters, this print has an intimate scale that rewards close looking, aligning with Long's broader interest in perception, interiority, and the boundary between self and object. The title's confrontational charge, "Arrogant Perceiver," positions the viewer as a subject under examination, a conceit consistent with the conceptual rigor that distinguishes Long's multidisciplinary output. Pencil-signed with his initials, the work is offered unframed, presenting an opportunity to present it within a context of the collector's own choosing.

Medium
Digital Print
Dimensions
sheet: 27.9 x 21.6 cm
Year
1990
Signed
Hand-signed by the artist
Seen at
Lions Gallery, Surfside, FL

Related themes

Mohn Art Collective

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