Cause & Effect presents a cascading column of thousands of translucent acrylic resin figures suspended in perpetual freefall, their bodies locked in a dense spiral formation that tapers from a concentrated apex into a widening plume below. Do Ho Suh constructed this work through meticulous repetition, casting multitudes of identical human forms and threading them together on monofilament and stainless steel cable so that the collective mass appears simultaneously weightless and inevitable. The result is an installation that transforms the singular human body into a unit of accumulation, where individuality dissolves into system and the crowd becomes its own kind of force. The title anchors the work philosophically, asking viewers to consider how actions and identities compound across time, generations, and social structures. Suh, who was born in Seoul and has spent much of his career navigating between Korean and American contexts, frequently returns to questions of belonging, displacement, and the relationship between the individual and the collective. Here those preoccupations take on a near-scientific quality, as if the chain of figures visualizes a theorem rather than a feeling. The work entered the permanent collection of the Mori Art Museum in Tokyo, a placement that situates it within one of Asia's most significant institutional frameworks for contemporary art. For collectors and institutions considering works of this scale, Cause & Effect represents a rare alignment of formal ambition and conceptual depth. The materials, industrial yet delicate, reward prolonged attention, shifting in appearance as light conditions and viewing angles change. As Suh's international standing has grown steadily over the past two decades, works that entered major museum collections early in that trajectory have come to serve as important anchors in the broader understanding of his practice.