Rendered in confident, searching pencil strokes, this 1930 drawing captures a frog with the directness and structural economy characteristic of Gondouin's mature hand. The composition occupies a compact horizontal field, measuring just 11 by 19 centimeters, yet the mark-making carries genuine weight. Strong, deliberate lines define the subject with a Cubist sensibility, reducing form to its essential geometry while preserving a sense of organic vitality. The work is signed by the artist, adding provenance value to what is already a rare and intimate example of his work on paper. Emmanuel Gondouin was born in Versailles in 1883 and died in Paris in 1934, leaving behind a body of work that remains underrecognized relative to its quality and historical context. A painter and draftsman working in the orbit of the Parisian avant-garde, he lived and worked in Montmartre and later Montparnasse, sustaining himself through industrial design commissions while pursuing his fine art practice with conviction. He counted Modigliani among his close associates, a friendship that speaks to his deep immersion in the experimental artistic communities of interwar Paris. His work was shown internationally during his lifetime, with exhibitions in both New York and Chicago bringing his vision to transatlantic audiences. For collectors with an interest in the French modernist tradition, this drawing represents a meaningful opportunity. Works by Gondouin are scarce on the market, and drawings of this period carry particular appeal as direct expressions of an artist's thinking, unmediated by the demands of large-scale composition. The combination of a clearly legible subject, strong graphic confidence, and authenticated signature makes this a compelling acquisition from a figure whose critical reassessment is long overdue.